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Posted by Eric: Wed Nov 25th, 2015 06:01 1st Post
We were swamping Iain's metadata thread with discussions on the D750, so I've started a new thread.

Having received the Lexar card this morning I took time out to refamilarise myself with the D750.

Jonathan....It doesn't have an aperture/shutter lock....or I couldn't find it!

Running a continuous high speed burst, the card records 15 shots before gulping. ( That's 14bit raw files at both fast and slow shutter speeds.) it cleared all the file writing within 5secs.

I used the 24-70 for this exercise and discovered a slight negative. The D750 is very light ( similar to D7200) and despite having a really excellent deep grip, I felt the camera was too light for the lens. It's out of balance and counters some of the comfort in the hand.

I should have anticipated this, after all these years. The bottom grip makes a lot a difference to the balance of a camera and maybe I need one for this body if using pro lenses?

:banghead:



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Posted by jk: Wed Nov 25th, 2015 08:21 2nd Post
So that is much like the D3 in its behaviour.

Hmmm interesting about the balance of the D750.



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Posted by Eric: Wed Nov 25th, 2015 09:26 3rd Post
jk wrote:
So that is much like the D3 in its behaviour.

Hmmm interesting about the balance of the D750.

I think this is true of all bodies without the bottom battery grip. They are top heavy when you add anything other than a plastic lens. This imbalance is felt in the hand/wrist.

It's convinced me that I either need to get the grip for it or stick to prosumer lenses.



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Eric


Posted by Robert: Wed Nov 25th, 2015 11:41 4th Post
I think this is probably more of an issue for people who are regular/heavy users of the large D# bodies, I tend to look on the D200 as a container for the sensor to clip on the back of whatever lens I am using and tend to carry and handle the lens rather than the body when it's a heavy lens like the 80-200 or the 300 f2.8.

That said, my old trombone 80-200 has no tripod bush so the relatively heavy lens is hanging off the mount. o.O



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Posted by jk: Wed Nov 25th, 2015 12:40 5th Post
Eric wrote:
jk wrote:
So that is much like the D3 in its behaviour.

Hmmm interesting about the balance of the D750.

I think this is true of all bodies without the bottom battery grip. They are top heavy when you add anything other than a plastic lens. This imbalance is felt in the hand/wrist.

It's convinced me that I either need to get the grip for it or stick to prosumer lenses.

I dont think that you really want to compromise the lens quality otherwise you end up with more CA and distortions.



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Posted by Eric: Wed Nov 25th, 2015 15:03 6th Post
Robert wrote:
I think this is probably more of an issue for people who are regular/heavy users of the large D# bodies, I tend to look on the D200 as a container for the sensor to clip on the back of whatever lens I am using and tend to carry and handle the lens rather than the body when it's a heavy lens like the 80-200 or the 300 f2.8.

That said, my old trombone 80-200 has no tripod bush so the relatively heavy lens is hanging off the mount. o.O

That's true for longer lenses but I was using the 24-70. Even the 17-35 feels imbalanced.

If you put either of these lenses on a D3 it sits on the camera base. Put them on the D750 and the body tips forward to rest on the lens. It's this forward out of balance that imparts rotation around the handgrip in use. It may be small but I feel this instability. Putting a battery grip on the bottom may restore that balance.



____________________
Eric


Posted by Iain: Wed Nov 25th, 2015 15:48 7th Post
I have the same with the D7200 and D610 I have put a grip on both for better balance with heavy lens.



Posted by Iain: Wed Nov 25th, 2015 15:50 8th Post
I've just done the same test as Eric with the D7200, I got 14 raw then hit the buffer and 5secs to clear the buffer.



Posted by Eric: Wed Nov 25th, 2015 16:21 9th Post
I think my concern about the buffering was probably me, misreading the issue. When I 'experienced' this problem I was shooting indoors in low light, using long exposures ....bracketing! It now occurs to me that the time to shoot some of the long bracketed frames was probably disguising the time to buffer. Or at lest confusing me. Lol

15frames on the run is good enough for me.



____________________
Eric


Posted by jk: Wed Nov 25th, 2015 17:38 10th Post
All my cameraS seem lightweight when I attach the 400mm f2.8 AFS to any one of them.
:lol:

I am now in the D3X v. D750 v. D810 debate with myself.
Unfortunately a second hand D3X costs more than a new D750 and battery grip.



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Posted by Eric: Wed Nov 25th, 2015 17:48 11th Post
jk wrote:
All my cameraS seem lightweight when I attach the 400mm f2.8 AFS to any one of them.
:lol:

I am now in the D3X v. D750 v. D810 debate with myself.
Unfortunately a second hand D3X costs more than a new D750 and battery grip.

Not sure why you are lusting after a D3X? Surely a D810 outperforms that?



____________________
Eric


Posted by jk: Wed Nov 25th, 2015 18:19 12th Post
I want 24MP not 36MP. My D800 is just too detailed and the images are too large. However I do love the controls and layout of the D3 and D3S but at 12MP they occasionaly leave me with grainy image if I crop severely. This of course is not a problem on my D800. My D600 the AF is not great in low light compared to D3/D3S/D800 as it has a slower AF unit.



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Posted by Gilbert Sandberg: Thu Nov 26th, 2015 07:15 13th Post
Eric,
re: 24-70. Even the 17-35...
That proves the point, those lenses are pro grade, and the D750 is not.
Those lenses have a basic design for pros, aimed at ruggedness and quality, regardless of weight and price.
Regards, Gilbert



Posted by Eric: Thu Nov 26th, 2015 11:57 14th Post
Gilbert Sandberg wrote:
Eric,
re: 24-70. Even the 17-35...
That proves the point, those lenses are pro grade, and the D750 is not.
Those lenses have a basic design for pros, aimed at ruggedness and quality, regardless of weight and price.
Regards, Gilbert

I am sure you are right, Gilbert. However, the D750, though not as robust and rugged, still delivers pro quality images with the right glass. Maybe it's more of a candidate for primes rather than zooms to keep the in use lens weight lighter without compromising IQ?



____________________
Eric


Posted by Gilbert Sandberg: Thu Nov 26th, 2015 14:17 15th Post
Eric,
re: candidate for primes
You have a point there, especially considering the recent wide angle FX primes by Nikon (e.g. 35 24 and 20mm)
Regards, Gilbert



Posted by jk: Thu Nov 26th, 2015 16:12 16th Post
I dont understand the desire for fast primes. I would never use a 24mm f1.4 lens wide open even assuming it was distortion free.
What it does get you is a wide angle lens that focusses almost instantly which is good.
All my wideangle primes are f2.8 i am very happy with their speed of focus. I dont need to reduce DOF to a sliver when I use a wideangle.
Maybe I am missing something.
Please do not educate me as I dont want to buy any more lenses except either the Nikon 200-500 or the Fuji 100-400. I still need to decide if the Fujis are my long term strategy or a solution to some issues that the Nikons cant provide a solution to currently in a DSLR.
I want a WYSIWYG viewfinder which is obviously impossible with OVF but very possible with EVF. But a hybrid OVF/EVF like in the Fujis does provide this and with the option to show the veiwfinder with or without exposure adjustment.


No using the TFT on the DSLR back in LiveView mode is not a solution (but a nightmare) ;-)



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Posted by Eric: Fri Nov 27th, 2015 06:54 17th Post
jk wrote:
I dont understand the desire for fast primes. I would never use a 24mm f1.4 lens wide open even assuming it was distortion free.
What it does get you is a wide angle lens that focusses almost instantly which is good.
All my wideangle primes are f2.8 i am very happy with their speed of focus. I dont need to reduce DOF to a sliver when I use a wideangle.
Maybe I am missing something.
Please do not educate me as I dont want to buy any more lenses except either the Nikon 200-500 or the Fuji 100-400. I still need to decide if the Fujis are my long term strategy or a solution to some issues that the Nikons cant provide a solution to currently in a DSLR.
I want a WYSIWYG viewfinder which is obviously impossible with OVF but very possible with EVF. But a hybrid OVF/EVF like in the Fujis does provide this and with the option to show the veiwfinder with or without exposure adjustment.


No using the TFT on the DSLR back in LiveView mode is not a solution (but a nightmare) ;-)

I don't see the point in 1.anything in a wide angle. I wouldn't buy one, because to me, they are unnecessary, expensive and add more weight...the very thing I am trying to reduce.

The further up the focal length scale, the more the arguement for 1.something becomes valid.

Personally I avoid using any lens wide open, preferring 1stop down. Maybe I've been unlucky, but every lens I have bought is sharper and more distortion free if I do this.

My only critique with primes, is that while changing lenses you can miss the shot. The IQ may not be as good on a zoom, but a less than perfect photo is often better than no photo at all.



____________________
Eric


Posted by Eric: Fri Nov 27th, 2015 07:24 18th Post
More and more I am favouring the Fuji for walking around photography and just equipping the Nikon for structured photo sessions with key primes.

I feel a zoom sale coming on. Lol



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Posted by Iain: Fri Nov 27th, 2015 11:59 19th Post
Eric wrote:
More and more I am favouring the Fuji for walking around photography and just equipping the Nikon for structured photo sessions with key primes.

I feel a zoom sale coming on. Lol

I've tried the light weight thing but i'm not happy I seem to be going back to the heaver stuff.

Time for the gym I think. :-)



Posted by Eric: Fri Nov 27th, 2015 16:34 20th Post
Iain wrote:
Eric wrote:
More and more I am favouring the Fuji for walking around photography and just equipping the Nikon for structured photo sessions with key primes.

I feel a zoom sale coming on. Lol

I've tried the light weight thing but i'm not happy I seem to be going back to the heaver stuff.

Time for the gym I think. :-)

It's not the handling...it's the toting. I got sick and tired of lugging a Nikon kit and IR kit around foreign locations....and only using it casually.

After 20+ years pro shooting I just want to stop 'performing'. I don't know if other pros feel the pressure of 'getting the results' every time but I am enjoying just capturing a location or event without the need to please third parties...for the moment.

Whether I will recapture the pursuit of perfect images again, for myself, remains to be seen. For the moment I am content getting acceptable shots from acceptable equipment that doesn't tax muscles or wallet.

:thumbsup:



____________________
Eric


Posted by Robert: Fri Nov 27th, 2015 16:40 21st Post
Well said Eric, want a D200? :lol:



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Robert.



Posted by Eric: Fri Nov 27th, 2015 18:32 22nd Post
Robert wrote:
Well said Eric, want a D200? :lol:
Not sick of IR already, Robert.

Go on then send it down...the 17-35 is pining.

;-)



____________________
Eric


Posted by jk: Sat Nov 28th, 2015 03:22 23rd Post
I think over time we become lazy or less accepting to the notion of carrying large amounts of heavy equipment that allows us to capture that perfect picture or moment.
Either we decide to accept a lesser quality or a compromised shot or we carry on lugging the heavy kit around until it is too heavy to do any more.

I definite feel more at ease taking images with my Nikon kit but it heavier weight drives me to use the Fuji stuff more and more.
If I am shooting a must capture event or picture then I will reach for the Nikon know I will have captured it in one or two shots. The same can be true with the Fuji kit but as yet it is still not second nature for me. But I do prefer its smaller size and reduced weight.



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Posted by Robert: Sat Nov 28th, 2015 03:39 24th Post
Eric wrote:
Robert wrote:
Well said Eric, want a D200? :lol:
Not sick of IR already, Robert.

Go on then send it down...the 17-35 is pining.

;-)

No, no, the normal one!!!

Love my IR D200, just need some time and weather for IR. I have the location...



____________________
Robert.



Posted by Eric: Sat Nov 28th, 2015 05:33 25th Post
jk wrote:
I think over time we become lazy or less accepting to the notion of carrying large amounts of heavy equipment that allows us to capture that perfect picture or moment.

The same can be true with the Fuji kit but as yet it is still not second nature for me. But I do prefer its smaller size and reduced weight.

In my case, photography has sadly lost a little of its charm. When it becomes a chore, you notice a little more, the inumberance of lugging around something unnecessary. It's not a physical strength thing, it's a "is this really necessary" feeling.

Your comment on the Fuji is well made.

The main players have evolved an ergonomic design in their camera bodies which, having grown with it, we find instinctive in use. I find the Fuji isn't quite in that league or maybe, the frequency of my using it has been insufficient to feel 100% at home with it?

For that reason, despite its greater portability and almost unnoticeable presence on the shoulder, I find myself loathed to part with the more familiar Nikon gear. The D750 to me, is more comfortable in the hand than the Fuji. But the lens size and weight tip the balance...literally.

I suspect the answer is to revive my enthusiasm for photography and then the equipment feel won't matter so much.


Back to the new bathroom installation!



____________________
Eric


Posted by jk: Sat Nov 28th, 2015 12:19 26th Post
I agree Eric.
Just been supervising the builders here for the last three weeks, only one more week and it should be finished.



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Posted by jk: Mon Nov 30th, 2015 16:34 27th Post
Eric wrote:
I suspect the answer is to revive my enthusiasm for photography and then the equipment feel won't matter so much.


Back to the new bathroom installation!

I think we all get distracted by other 'more important' events in our lives.  I feel that my photography is somewhat at a standstill at times but then I find a new project or idea to photograph and enjoy.

I actually think that I need to belong to a collective or commune and be forced to sell my stuff to make me more productive.

I wish there were more farmers markets, artists shops, etc, here in Spain where I could go meet other people and artists and chat, learn and stimulate myself for new projects.



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Posted by TomOC: Mon Nov 30th, 2015 17:50 28th Post
jk wrote:
I think over time we become lazy or less accepting to the notion of carrying large amounts of heavy equipment that allows us to capture that perfect picture or moment.
Either we decide to accept a lesser quality or a compromised shot or we carry on lugging the heavy kit around until it is too heavy to do any more.

I definite feel more at ease taking images with my Nikon kit but it heavier weight drives me to use the Fuji stuff more and more.
If I am shooting a must capture event or picture then I will reach for the Nikon know I will have captured it in one or two shots. The same can be true with the Fuji kit but as yet it is still not second nature for me. But I do prefer its smaller size and reduced weight.

I agree for the most part. I'm finding I only use the D3 or D800 with really long lenses, in studio setting or when I'm already lugging a tripod. Like JK, my familiarity with them is now a matter of muscle memory - one of the great things that Nikon has done over the years was to make it simple to move from one Nikon to another and not lose your way (Fuji needs to learn this).

I've taken a little more to the X-T1 but still think the ideal form factor is the X-pro and I'm really waiting for the xp2 in a big way.

My most used camera by far in the last couple of months is the x100T, which I consider to be the all time street camera.

tom



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Posted by Eric: Mon Nov 30th, 2015 18:40 29th Post
TomOC wrote:
jk wrote:
I think over time we become lazy or less accepting to the notion of carrying large amounts of heavy equipment that allows us to capture that perfect picture or moment.
Either we decide to accept a lesser quality or a compromised shot or we carry on lugging the heavy kit around until it is too heavy to do any more.

I definite feel more at ease taking images with my Nikon kit but it heavier weight drives me to use the Fuji stuff more and more.
If I am shooting a must capture event or picture then I will reach for the Nikon know I will have captured it in one or two shots. The same can be true with the Fuji kit but as yet it is still not second nature for me. But I do prefer its smaller size and reduced weight.

I agree for the most part. I'm finding I only use the D3 or D800 with really long lenses, in studio setting or when I'm already lugging a tripod. Like JK, my familiarity with them is now a matter of muscle memory - one of the great things that Nikon has done over the years was to make it simple to move from one Nikon to another and not lose your way (Fuji needs to learn this).

I've taken a little more to the X-T1 but still think the ideal form factor is the X-pro and I'm really waiting for the xp2 in a big way.

My most used camera by far in the last couple of months is the x100T, which I consider to be the all time street camera.

tom

As always Tom, you have caused me to consider a different line of thinking.

We, or at least I, have been talking about minimising weight and considering dumping my pro zooms for primes... for a better balanced D750 in the hand.

Now here's the rub....

The X100T weighs 445g delivering a fixed 35mm focal lens equivalent.
A 35mm Nikkor lens ALONE weighs 305g before adding the 700g body!

So if one were striving for minimum weight then multiple fixed body cameras like the X100T but with different focal length lenses, could be another option.

o.O

I am curious as to why you consider the Xpro ideal, Tom. In what way does it trump the XT? I missed getting the XPro ( I did hold one but felt it more awkward in the hand than the XT) and wonder what it does better?



____________________
Eric


Posted by jk: Tue Dec 1st, 2015 04:17 30th Post
TomOC wrote:
I've taken a little more to the X-T1 but still think the ideal form factor is the X-pro and I'm really waiting for the xp2 in a big way.

My most used camera by far in the last couple of months is the x100T, which I consider to be the all time street camera.

tom
I agree that whilst the others work well that the 'feel' of the X-Pro1 seems to be best.



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Posted by Eric: Tue Dec 1st, 2015 04:37 31st Post
jk wrote:
TomOC wrote:
I've taken a little more to the X-T1 but still think the ideal form factor is the X-pro and I'm really waiting for the xp2 in a big way.

My most used camera by far in the last couple of months is the x100T, which I consider to be the all time street camera.

tom
I agree that whilst the others work well that the 'feel' of the X-Pro1 seems to be best.


In what way?
I felt the XPro didn't have as good a grip as the XT ...smaller. The only advantage I see over the XT is the optical viewfinder. Fuji haven't mastered the EVF clarity that other manufacturers have.

What am I missing in the Xpro?



____________________
Eric


Posted by jk: Tue Dec 1st, 2015 12:12 32nd Post
The X-Pro1 is slightly larger and feels as though it was designed to European hands rather than little Japanese one. The XT1 is very nice but the camera is just a little too small and I frequently hit the f2 button as it is poorly located for my size of hands.
I seldom use the optical finder in the Xpro1.



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Posted by amazing50: Tue Dec 1st, 2015 23:13 33rd Post
Big game hunters employ gun bearers
Golfers employ caddies
Why not employ a camera bearer?
:lol:



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Posted by Eric: Wed Dec 2nd, 2015 03:33 34th Post
amazing50 wrote:
Big game hunters employ gun bearers
Golfers employ caddies
Why not employ a camera bearer?
:lol:

I did ask the wife

She told me where to store my 500mm lens.



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Eric

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